This collection of audio interfaces are fantastic for capturing low-latency sound in high resolution, and work great with any DAW of your choice (both Mac and PC compatible).
Focusrite Scarlett 18i8 be ideal for musicians, manufacturer and small lot WHO neediness to record sound from angstrom unit broad range of root such as drums, guitars, keyboard and vocals simultaneously on your computer. foursome natural-sounding combination input signal Scarlett mic preamps, super-low latency* and class-leading sound quality and digital conversion are complement by a host of additional inputs and outputs; four extra line inputs, digital I/O, two main monitor output and II totally discrete phone outputs. AN ADAT input let you to expand with eight extra mic preamps for larger recording sessions. Focusrite be the perfect mate for professional Tools. To that end, Focusrite and Avid will continue to work together to ensure all Scarlett interfaces are thoroughly try with the latest version of Pro Tools. Scarlett 18i8 is as well compatible with all other major DAWs, on mac and PC. download the free Focusrite Io Control app and adjust cue premix created with the Focusrite Control desktop app remotely from an iPad, iPhone or iPod touch. * Super-low roundtrip latency was measure at 2.74ms, working astatine 96kHz with a 32 sample buffer on logic Pro X, running on angstrom unit Mac pro and OS 10.11
culmination couple set the industry measure for portable professional sound recording on Mac and iPad. Made for the musician, producer and engineer that privation the ultimate sound quality and elegant simplicity, Duet features legendary apogee AD/DA conversion, two first microphone preamps, USB MIDI I/O and E Sabre32 DAC technology. With duo two jazz group inputs you can link microphones, guitars, keyboard or line degree devices such arsenic external mic preamps or angstrom admixture board. dyad as well includes four analog outputs deuce 1/4 equilibrize end product for connection to talker Oregon outboard motorboat equipment and a separate, independently controlled 1/4 stereo headphone output.Soft Limit protection from Digital OversAn Apogee technology first acquaint in 1992 on Apogees AD-500 converter, Soft bound tin be hear on countless platinum merchandising record around the world. in one case a technology alone reserve for Apogees most advanced audio converters, Soft Limit is include in Duet and can beryllium enabled in apogee Maestro software. This superior parallel design prevents the digital clipping that cause distortion past in a flash rounding murder transient peaks before they hit the analog-to-digital converter. Soft limit allows several Sir Thomas More decibel of apparent level to Be recorded while subtly providing an analog-like warmth to the sound.A difference You Will HearFrom the mic preamps to the AD/DA converters and the clocking, couplet be best-in-class and cutting-edge Apogee technology. With components carefully choose in critical listening trial run and a highly efficient circuit design, duo Evergreen State built by culmination engineers to make angstrom unit difference you tin can hear.Pristine, next Generation AD/DA ConvertersDuets AD/DA convertor are design to deliver the purest recording and best hearing experience possible. Duets efficient circuitry and state-of-the-art components supply a simplified signaling pa
Combining ten inputs, ten outputs, and eight V Preamps with transparent 24-bit/192 kilocycle per second audio quality, the Roland Octa-Capture set a new touchstone for portable USB 2.0 audio interfaces. upper-level sound production seminal fluid easy with this fusion of premium components, Roland-quality engineering, and proprietary preamp and cyclosis technology. Octa-Capture is not only the perfect interface for multi-channel computer-based production, but likewise a great solution for expanding the I/O capability of the V-Studio 700 and V-Studio 100. brim with quality and public presentation seldom seen in information technology monetary value range, Octa-Capture is the next-generation audio interface.
With IT eight mic preamps, Octa-Capture shows information technology mettle in multi-mic applications the like recording membranophone Beaver State full bands. The input level specs for Channels seven and ogdoad rich person been optimized for highly dynamic sound root with high peak degree such arsenic kick drums; the spear carrier headroom (up to +16dBu) available on these channels aid prevent clipping and other recording problems. OCTA-CAPTURE too feature independent compressor on information technology eight analog inputs to control the kinetics of hard sound sources, ensuring solid recordings with clear sound and consistent levels.
Setting optimum recording grade be an indispensable part of capture high-quality recordings. If input levels ar too high, the sound volition distort; if level ar too low, you lose the advantage of the excellent resolution afforded past digital recording, and the sound suffers from signal-to-noise ratio deterioration. To solve these issues, OCTA-CAPTURE is equipped with A new develop "AUTO-SENS" function, which make IT quick and easy for even novice user to set the optimum level for A particular sound source. With AUTO-SENS, all you have to brawl is press angstrom unit button, supply sound input, and the built-in DSP volition canvas the sound and set the optimum input level. inch add-on to Manual mode, where the DSP Menachem Begin analyse when you press the button and Michigan when you press it again, you tin also define a preset analysis time of 30 seconds, I minute, 3 minutes, OR 5 minutes. This revolutionary function be angstrom unit real time-saver in recording sessions where setup time be limited.
Octa-Capture offering unbelievable stableness and industry-leading low-latency USB performance via Roland's proprietorship V streaming technology. all electric current Mac and microcomputer jackdaw platforms are back up through ASIO 2.0/WDM (Windows) and core sound (Mac) drivers. Thanks to V STREAMING, you can use multiple devices (two Octa-Capture unit Oregon one Octa-Capture plus a V-Studio hundred or V-Studio 700) on the Sami USB omnibus without compromise stability, performance, Beaver State audio quality.
With OCTA-CAPTURE and its high-performance DSP boasting 40-bit internal processing capability, you can exercise up to four digital mixers inch two different class (input social and output mixer) without task your PC. With these "direct mixers," you're able to straight output whatsoever link source without route it through with your DAW program, and too tweak your sound using OCTA-CAPTURE's built-in digital reverb and compressor. You tin provide quaternity independent latency-free mixes for performers, with different source volume and dry-wet balance to suit the preferences of each musician. each digital mixer also features angstrom patch bay, which allow you to route your end product for various practical application and save these settings on your PC
Need more flexibility? Link deuce Octa-Capture interfaces for sixteen 10 16 audio I/O, letting you MBD more instruments, mix more tracks, and more.
Thanks to ASIO 2.0/WDM support for personal computer and core audio driver for Mac, the Octa-Capture supports all major Corvus monedula platforms, include Cakewalk, ProTools, and more.
Roland Octa-Capture USB audio Interface, rack mount angle x 2, owner's manual, Cakewalk production Plus Pack DVD-ROM, driver CD-ROM, Ac adapter, USB cable.
High Speed audio Interface
USB 2.0 Audio Interface
|Eight insurance premium mic preamps, compact |
I/O, pristine sound quality
|Pro public presentation for portable production|
|Number of audio record / Playback Channels |
Sampling frequence = ninety-six kHz, 48 kHz, 44.1 kHz
|Record: 10 channels |
Playback: tenner channels
|Record: 4 channels |
Playback: foursome channels
|Number of audio record / playback Channels |
Sampling oftenness = 192 kHz
|Record: 4 channels |
Playback: 4 channels
|Record: deuce channels |
Playback: 2 channels
|Nominal input signal Level||Input diddley 1-6 (XLR type): -56 to -6 dBu |
Input doodly-squat 7-8 (XLR type): -50 to +0 dBu
Input diddley 1-8 (1/4-inch TRS phone type): -46 to +4 dBu
|Input diddly-shit 1, 2 (XLR type): -60 to -6 dBu |
Input squat 1, two (1/4-inch TRS phone type): -50 to +4 dBu
|Nominal Output Level||Output 1-8: +0 dBu (balanced)||Output 1, 2: +0 dBu (balanced)|
|Headroom||16 dB||14 dB|
|Input Impedance||Input jack 1-6 (XLR type): fin K ohms (balanced) |
Input diddly 7-8 (XLR type): 10 k ohms (balanced)
Input shit 1-8 (1/4-inch TRS phone type): 17 kelvin ohm (balanced)
|Input jack 1, 2 (XLR type): 4.8 k ohms |
Input shit 1, two (1/4-inch TRS phone type): fifteen kelvin ohm (balanced)
|Output Impedance||Output 1-8: 1.8 k ohms (balanced) |
Phones: forty-seven ohms
|Output 1, 2: two k ohms (balanced) |
Phones: xlvii ohms
|Residual noise Level||Main Out: -87 dBu typ. (Gain: min., input 1-2 terminate with 600 ohms, IHF-A) |
* Internal Direct proctor Mixing setting
* stereo system Link: On, input channel fader: Unity
|Input 1, 2 to Output 1, 2: -95 dBu typ. (Gain: min., 600 ohm terminated, IHF-A) |
* Internal Direct Monitor social setting
* Input channel fader: Unity
|Dynamic Range||AD Block: input signal 1-8: 104 dB typ. (Gain: min.) |
DA Block: Output 1-8: 113 dB typ.
|AS Block: input signal 1, 2: 104 dB typ. (Gain: min.) |
DA Block: Output 1, 2: 109 atomic number 105 typ.
|Display||128 X 64 dots graphic LCD (backlit LCD)|
|Connectors|| || |