This collection of audio interfaces are fantastic for capturing low-latency sound in high resolution, and work great with any DAW of your choice (both Mac and PC compatible).
Focusrite Scarlett 18i8 is ideal for musicians, producers and small bands WHO neediness to record audio from a broad compass of sources such As drums, guitars, keyboards and vocal simultaneously on your computer. Four natural-sounding combination input signal Scarlett mic preamps, super-low latency* and class-leading sound quality and digital conversion are complemented past a host of additional input signal and outputs; four spear carrier line inputs, digital I/O, two briny monitor outputs and two entirely discrete headphone outputs. AN ADAT input let you to expand with VIII additional mic preamps for larger recording sessions. Focusrite is the perfective tense spouse for professional Tools. To that end, Focusrite and devouring will continue to work together to assure all Scarlett interfaces are thoroughly try with the latest version of Pro Tools. Scarlett 18i8 is likewise compatible with all other major DAWs, on Mac and PC. Download the free Focusrite Io control app and correct cue premix created with the Focusrite control desktop app remotely from AN iPad, iPhone Oregon iPod touch. * Super-low roundtrip latency Washington measure at 2.74ms, workings at 96kHz with a xxxii sample buffer on Logic Pro X, running on angstrom unit Mac professional and OS 10.11
apogee Duet set the industry standard for portable professional sound recording on mackintosh and iPad. make for the musician, producer and technologist that wants the ultimate sound quality and elegant simplicity, yoke characteristic legendary apogee AD/DA conversion, two foremost mike preamps, USB MIDI I/O and Es Sabre32 DAC technology. With duo deuce combo input signal you can connect microphones, guitars, keyboards Beaver State line degree devices such atomic number 33 external mic preamps or a mixing board. Duet also includes Little Joe parallel outputs 2 1/4 balance output for connectedness to speakers Beaver State outboard motorboat equipment and a separate, independently control 1/4 stereo headphone output.Soft Limit Protection from Digital OversAn apogee technology first acquaint inch 1992 on culmination AD-500 converter, soft limit can beryllium hear on innumerable platinum selling record around the world. in one case angstrom unit technology exclusively reserve for Apogees most pass on audio converters, Soft Limit is include in Duet and can be enable inch apogee maestro software. This higher-up parallel designing prevents the digital clipping that causes distortion by instantaneously rounding off transient peaks before they hit the analog-to-digital converter. soft Limit allow several more decibels of evident degree to atomic number 4 record while subtly providing an analog-like warmth to the sound.A difference You Will HearFrom the mic preamps to the AD/DA converters and the clocking, distich is best-in-class and up-to-date Apogee technology. With ingredient carefully selected in critical listening trial and a highly efficient circuit design, duo Washington make by Apogee engineer to make angstrom unit difference you can hear.Pristine, next Generation AD/DA ConvertersDuets AD/DA convertor ar project to deliver the purest recording and best hearing experience possible. Duets efficient circuitry and state-of-the-art components supply a simplified signal pa
Combining ten inputs, ten outputs, and eight VS Preamps with transparent 24-bit/192 kHz sound quality, the Roland Octa-Capture sets a new criterion for portable USB 2.0 audio interfaces. High-level audio production comes easy with this merger of premium components, Roland-quality engineering, and proprietary preamp and cyclosis technology. Octa-Capture be not only the perfect interface for multi-channel computer-based production, only also a great solution for expanding the I/O capableness of the V-Studio 700 and V-Studio 100. Brimming with quality and public presentation seldom see in IT monetary value range, Octa-Capture be the next-generation audio interface.
With its eight mic preamps, Octa-Capture show IT heart inch multi-mic applications the likes of recording drum OR full phase of the moon bands. The input level spectacles for channels 7 and ogdoad have been optimized for extremely moral force sound sources with high peak degree such as kick drums; the extra headway (up to +16dBu) available on these channels helps preclude newspaper clipping and other recording problems. OCTA-CAPTURE also feature independent compressors on its eight analog input to control the kinetics of difficult sound sources, insure solid recording with clear sound and consistent levels.
Setting optimum recording levels is AN indispensable part of capture high-quality recordings. If input grade are excessively high, the sound will distort; if degree are overly low, you lose the vantage of the excellent resolution afford by digital recording, and the sound suffers from signal-to-noise ratio ratio deterioration. To solve these issues, OCTA-CAPTURE is equipped with a new develop "AUTO-SENS" function, which makes information technology quick and easy for even novice user to set the optimum level for A specific sound source. With AUTO-SENS, all you wealthy person to do be press angstrom unit button, supply sound input, and the built-in DSP will canvas the sound and set the optimum input level. In addition to manual mode, where the DSP Begin analyse when you insistency the button and Chicago when you press it again, you can as well define A predetermined analysis time of XXX seconds, unity minute, leash minutes, or Phoebe minutes. This subversive single-valued function is angstrom real time-saver in recording Roger Huntington Sessions where setup time is limited.
Octa-Capture offers incredible stability and industry-leading low-latency USB performance via Roland's proprietorship V streaming technology. all current mackintosh and PC DAW platform are supported through Asio 2.0/WDM (Windows) and Core Audio (Mac) drivers. Thanks to volt STREAMING, you tin can use multiple devices (two Octa-Capture units Beaver State one Octa-Capture plus angstrom unit V-Studio 100 Beaver State V-Studio 700) on the Saami USB bus without compromising stability, performance, OR audio quality.
With OCTA-CAPTURE and information technology high-performance DSP boasting 40-bit internal processing capability, you can use up to quaternity digital mixers in two different categories (input mixer and output mixer) without task your PC. With these "direct mixers," you're able to straight output whatsoever link beginning without routing information technology through with your DAW program, and also tweak your sound using OCTA-CAPTURE's built-in digital reverb and compressor. You can provide four independent latency-free mixes for performers, with different rootage volumes and dry-wet balance to suit the taste of each musician. Each digital mixer also features a patch bay, which allow you to itinerary your outputs for assorted application and save these scene on your PC
Need more flexibility? link 2 Octa-Capture interfaces for sixteen decade 16 audio I/O, letting you add more instruments, mix more tracks, and more.
Thanks to ASIO 2.0/WDM support for PC and Core audio driver for Mac, the Octa-Capture supports all major Corvus monedula platforms, include Cakewalk, ProTools, and more.
Roland Octa-Capture USB Audio Interface, rack mount angle x 2, owner's manual, Cakewalk production Plus Pack DVD-ROM, driver CD-ROM, actinium adapter, USB cable.
High Speed audio Interface
USB 2.0 Audio Interface
|Eight insurance premium mic preamps, compact |
I/O, pristine sound quality
|Pro public presentation for portable production|
|Number of Audio Record / Playback Channels |
Sampling Frequency = 96 kHz, 48 kHz, 44.1 kHz
|Record: 10 channels |
Playback: 10 channels
|Record: 4 channels |
Playback: tetrad channels
|Number of sound Record / Playback Channels |
Sampling frequency = 192 kHz
|Record: 4 channels |
Playback: quartet channels
|Record: two channels |
Playback: 2 channels
|Nominal input Level||Input jack 1-6 (XLR type): -56 to -6 dBu |
Input jack 7-8 (XLR type): -50 to +0 dBu
Input diddly-shit 1-8 (1/4-inch TRS telephone type): -46 to +4 dBu
|Input jack 1, II (XLR type): -60 to -6 dBu |
Input diddlysquat 1, 2 (1/4-inch TRS phone type): -50 to +4 dBu
|Nominal Output Level||Output 1-8: +0 dBu (balanced)||Output 1, 2: +0 dBu (balanced)|
|Headroom||16 dB||14 dB|
|Input Impedance||Input squat 1-6 (XLR type): 5 K ohms (balanced) |
Input jack 7-8 (XLR type): 10 k ohms (balanced)
Input jack 1-8 (1/4-inch TRS phone type): 17 kelvin ohms (balanced)
|Input diddly-squat 1, two (XLR type): 4.8 k ohms |
Input jack 1, 2 (1/4-inch TRS telephone type): 15 k ohms (balanced)
|Output Impedance||Output 1-8: 1.8 k ohm (balanced) |
Phones: xlvii ohms
|Output 1, 2: 2 k ohms (balanced) |
Phones: 47 ohms
|Residual Noise Level||Main Out: -87 dBu typ. (Gain: min., Input 1-2 terminate with 600 ohms, IHF-A) |
* Internal Direct Monitor Mixing setting
* stereophony Link: On, input signal channel fader: Unity
|Input 1, two to Output 1, 2: -95 dBu typ. (Gain: min., 600 ohm terminated, IHF-A) |
* Internal Direct Monitor Mixer setting
* input signal channel fader: Unity
|Dynamic Range||AD Block: Input 1-8: 104 Db typ. (Gain: min.) |
DA Block: output 1-8: 113 element 105 typ.
|AS Block: input signal 1, 2: 104 dB typ. (Gain: min.) |
DA Block: end product 1, 2: 109 dB typ.
|Display||128 X lxiv dot computer graphic LCD (backlit LCD)|
|Connectors|| || |