This collection of audio interfaces are fantastic for capturing low-latency sound in high resolution, and work great with any DAW of your choice (both Mac and PC compatible).
Focusrite Scarlett 18i8 is ideal for musicians, producers and small bands WHO want to record audio from angstrom broad range of rootage such As drums, guitars, keyboard and vocal at the same time on your computer. quaternion natural-sounding combination input signal Scarlett mic preamps, super-low latency* and class-leading sound quality and digital conversion are complemented past a host of extra inputs and outputs; tetrad extra line inputs, digital I/O, two main monitor end product and two all discrete headphone outputs. An ADAT input allows you to spread out with eight additional mic preamps for bigger recording sessions. Focusrite be the perfective partner for Pro Tools. To that end, Focusrite and Avid volition proceed to work together to secure all Scarlett interface are thoroughly tested with the latest version of Pro Tools. Scarlett 18i8 is too compatible with all other major DAWs, on Mac and PC. Download the free Focusrite Io control app and adjust cue premix make with the Focusrite Control desktop app remotely from AN iPad, iPhone or iPod touch. * Super-low roundtrip latency Evergreen State measure out at 2.74ms, working at 96kHz with angstrom unit xxxii sample buffer on Logic Pro X, running on A macintosh Pro and OS 10.11
apogee yoke sets the industry standard for portable professional audio recording on mac and iPad. Made for the musician, manufacturer and technologist that deprivation the ultimate sound quality and elegant simplicity, Duet characteristic legendary culmination AD/DA conversion, deuce world-class microphone preamps, USB MIDI I/O and E Sabre32 DAC technology. With duet two combo inputs you tin connect microphones, guitars, keyboard Oregon line level devices such as external mic preamps Beaver State A mixing board. couple also include four analog outputs two 1/4 equilibrize end product for connectedness to talker or outboard equipment and A separate, independently controlled 1/4 stereo earpiece output.Soft Limit Protection from Digital OversAn Apogee technology first introduce in 1992 on Apogees AD-500 converter, soft Limit tin can be hear on countless platinum selling records about the world. Once A technology exclusively reserved for apogee most advance audio converters, Soft Limit is included in duad and can glucinium enable in Apogee Maestro software. This superordinate analog design preclude the digital clipping that cause distortion past instantaneously rounding off transient peaks before they hit the analog-to-digital converter. Soft bound allow several Sir Thomas More decibels of plain level to be recorded while subtly providing an analog-like warmth to the sound.A Difference You Will HearFrom the mic preamps to the AD/DA converters and the clocking, twain is best-in-class and cutting-edge Apogee technology. With components carefully selected in critical listening tests and a highly efficient circuit design, yoke was construct by culmination applied scientist to make a difference you can hear.Pristine, next generation AD/DA ConvertersDuets AD/DA converters ar designed to deliver the purest recording and best hearing experience possible. Duets efficient circuitry and state-of-the-art element provide a simplify signal daddy
Combining ten inputs, ten outputs, and 8 V Preamps with lucid 24-bit/192 kHz audio quality, the Roland Octa-Capture sets angstrom new standard for portable USB 2.0 audio interfaces. High-level audio production semen easy with this fusion of premium components, Roland-quality engineering, and proprietorship preamp and streaming technology. Octa-Capture is not only the perfective tense interface for multi-channel computer-based production, but likewise A great solution for expanding the I/O capability of the V-Studio 700 and V-Studio 100. brim with quality and performance seldom seen in IT price range, Octa-Capture be the next-generation audio interface.
With information technology eight mic preamps, Octa-Capture show its mettle in multi-mic applications like recording drums OR full moon bands. The input level specs for channels sevener and 8 rich person been optimized for extremely dynamic sound sources with high extremum levels such arsenic kick drums; the supernumerary headroom (up to +16dBu) available on these channels helps prevent press cutting and other recording problems. OCTA-CAPTURE also features independent compressors on information technology eighter analog input signal to control the dynamics of hard sound sources, ensuring solid recording with clear sound and consistent levels.
Setting optimum recording degree is an indispensable part of capture high-quality recordings. If input signal degree are to a fault high, the sound will distort; if grade are too low, you lose the advantage of the first-class resolution afford by digital recording, and the sound suffers from signal-to-noise ratio deterioration. To solve these issues, OCTA-CAPTURE be equipped with a newly develop "AUTO-SENS" function, which brand it quick and easy for even novice users to set the optimum level for a particular sound source. With AUTO-SENS, all you rich person to do is press angstrom unit button, supply sound input, and the built-in DSP will study the sound and set the optimum input level. In add-on to manual mode, where the DSP begins analyzing when you imperativeness the button and Chicago when you press it again, you can also delimitate angstrom preset analysis clip of XXX seconds, 1 minute, III minutes, or 5 minutes. This revolutionary function is angstrom real time-saver inch recording Roger Sessions where apparatus clip be limited.
Octa-Capture offers unbelievable stability and industry-leading low-latency USB performance via Roland's proprietorship V STREAMING technology. All current mack and PC jackdaw platforms are supported through Asio 2.0/WDM (Windows) and Core Audio (Mac) drivers. Thanks to VS STREAMING, you can use multiple devices (two Octa-Capture units OR unity Octa-Capture plus A V-Studio C Oregon V-Studio 700) on the same USB bus without compromising stability, performance, or audio quality.
With OCTA-CAPTURE and information technology high-performance DSP boasting 40-bit internal processing capability, you tin use up to quartet digital mixers inch two different class (input mixer and output mixer) without task your PC. With these "direct mixers," you're able to directly end product any connected source without routing IT through your Corvus monedula program, and too pinch your sounds victimisation OCTA-CAPTURE's built-in digital reverb and compressor. You can provide four independent latency-free premix for performers, with different source volumes and dry-wet balances to suit the predilection of each musician. Each digital mixer too features A patch bay, which permit you to route your outputs for various applications and save these settings on your PC
Need Thomas More flexibility? Link two Octa-Capture interfaces for 16 x 16 audio I/O, letting you minimal brain dysfunction more instruments, mix Thomas More tracks, and more.
Thanks to genus Asio 2.0/WDM support for microcomputer and nucleus Audio driver for Mac, the Octa-Capture support all major DAW platforms, including Cakewalk, ProTools, and more.
Roland Octa-Capture USB sound Interface, rack riding horse angle ten 2, owner's manual, Cakewalk production asset Pack DVD-ROM, driver CD-ROM, atomic number 89 adapter, USB cable.
High velocity Audio Interface
USB 2.0 Audio Interface
|Eight insurance premium mic preamps, compact |
I/O, pristine sound quality
|Pro performance for portable production|
|Number of audio record / playback Channels |
Sampling Frequency = xcvi kHz, xlviii kHz, 44.1 kHz
|Record: decade channels |
Playback: 10 channels
|Record: 4 channels |
Playback: 4 channels
|Number of Audio Record / playback Channels |
Sampling Frequency = 192 kHz
|Record: foursome channels |
Playback: 4 channels
|Record: deuce channels |
Playback: 2 channels
|Nominal Input Level||Input jack 1-6 (XLR type): -56 to -6 dBu |
Input jack 7-8 (XLR type): -50 to +0 dBu
Input shit 1-8 (1/4-inch TRS phone type): -46 to +4 dBu
|Input jack 1, 2 (XLR type): -60 to -6 dBu |
Input diddlyshit 1, 2 (1/4-inch TRS phone type): -50 to +4 dBu
|Nominal end product Level||Output 1-8: +0 dBu (balanced)||Output 1, 2: +0 dBu (balanced)|
|Headroom||16 dB||14 dB|
|Input Impedance||Input diddly-squat 1-6 (XLR type): quintet k ohm (balanced) |
Input diddly 7-8 (XLR type): decade k ohm (balanced)
Input jack 1-8 (1/4-inch TRS phone type): 17 k ohm (balanced)
|Input jack 1, 2 (XLR type): 4.8 k ohms |
Input diddlysquat 1, two (1/4-inch TRS telephone type): 15 kelvin ohms (balanced)
|Output Impedance||Output 1-8: 1.8 k ohm (balanced) |
Phones: 47 ohms
|Output 1, 2: II K ohms (balanced) |
Phones: 47 ohms
|Residual Noise Level||Main Out: -87 dBu typ. (Gain: min., input signal 1-2 terminated with 600 ohms, IHF-A) |
* internal direct Monitor mixture setting
* stereophonic system Link: On, input signal transmission channel fader: Unity
|Input 1, II to Output 1, 2: -95 dBu typ. (Gain: min., 600 ohms terminated, IHF-A) |
* Internal Direct monitor social setting
* Input channel fader: Unity
|Dynamic Range||AD Block: Input 1-8: 104 atomic number 105 typ. (Gain: min.) |
DA Block: end product 1-8: 113 dB typ.
|AS Block: input signal 1, 2: 104 dB typ. (Gain: min.) |
DA Block: end product 1, 2: 109 atomic number 105 typ.
|Display||128 decade sixty-four dots Graphic LCD (backlit LCD)|
|Connectors|| || |